Moira Shearer

In Michael Powell's (The Red Shoes) horror classic from 1960, a young man murders women, using a movie camera to film their dying expressions of terror.

Powell and Pressburger's heralded, technicolour adaptation of Jacques Offenbach's opera. A melancholy poet reflects on three women he loved and lost in the past: a doll, a Venetian courtesan, and the daughter of a celebrated composer.