Only Lovers Left Alive

"There’s a certain kind of dissolute beauty advertisers use to suggest that being a strung-out supermodel or junkie rock-star would be awesome, rather than grim. Those execs would sell their souls for a drop of what courses through Jim (Dead Man) Jarmusch’s latest indie – not to mention the veins of its vampire protagonists: pure, liquid cool."

"A sweet but slight love story about world-weary hipster bloodsuckers."

"A loving, very funny valentine to undead pleasures, with Swinton and Hiddleston on top form."

"Jarmusch has created a requiem for a way of looking at life that is being increasingly relegated to the shadows."

"Slow-burn celebration of art, style and aimless conversation. Among Mr. Jarmusch’s most voluptuous movies but it is also thin and pale, and perhaps too afraid of daylight for its own good."

"With its retro-chic connoisseurship and analogue era rock, this is a brilliant haute-hippy homage."

"Slow in pace and fittingly cold to the touch. Jarmusch's anti-Twilight filters various themes and ideas, but they never threaten to become a cohesive plot or offer resolution."

"An ode to hipsterism through the ages, a mainline shot of cool and a playful tribute to artistic fetishism."

"Haunting and idiosyncratic, Jarmusch’s vampire marriage preaches to the converted, but he’s in fine voice nonetheless."